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Sony Canada says they have no idea what happened, but the situation was quickly resolved and the video rightfully restored. Still, no official reason for the copyright claim has been given, and O'Regan encourages kids to "stay vigilant" while surfing the "wild world wide web"cause you never know when a corporate giant will try and steal your hard work. This is easily one my most anticipated albums of

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It was the day after one of the most boring and arguably pointless elections in Canadian history. The soon-to-be father of four is once again making his way across Canada, serenading a solid legion of fans and creating new ones along the way. And eight years later, Jason is once again experiencing that inventive environment with his touring group, opening act and rock-and-roll disciples Zeus.

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On the whole, though, Idols of Exile proves that Collett need not resort to stunt-writing. At his most direct, he fully holds his own against the likes of Adams or Ron Sexsmith, and for his compositional skill, Idols of Exile is perhaps a more consistent album than either of those two has released. If not as transcendent as Broken Social SceneIdols of Exile succeeds in positioning Collett, even in such a crowded field, as a singer-songwriter worth following.

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Jason Collett has made a name for himself in the Canadian music industry. An early member of Toronto collective Broken Social Scene, Collett has since established himself as a successful singer-songwriter, releasing his fourth studio album Rat a Tat earlier this year. Then, just a couple of weeks ago, he released an album of acoustically reworked songs titled Pony Tricks. In conjunction with this new collection, Collett will be playing in Waterloo at Starlight on Nov.

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Talk to the members of the loving but dysfunctional family that is Broken Social Scene and there's a general consensus that Jason Collett is the glue that holds 'em together. If they were the Monkees, he'd be Mike Nesmith. Although Collett doubtless perfected his talent for mediation through child-rearing he has two teenage kidshe most likely learned to navigate drama-queen-musician personalities and build community while running his much-loved Radio Mondays series, a songwriters' circle showcase that thrived at Ted's Wrecking Yard R.

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The subject who is truly loyal to the Chief Magistrate will neither advise nor submit to arbitrary measures. What would the year sound like, if it were music? That is the simple question with which this project started.

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Published on May 3rd, by Craig Silliphant. Craig Silliphant has a phone chat with Jason Collett from Broken Social Scene about his new album, the music industry, and balancing family and art. I sat down for a phone chat with Jason Collett, who many people would know from Toronto collective Broken Social Scene, as he rolls out his new solo album, Song and Dance Man. Collett was smart, funny, and engaging to chat with, even while displaying a pretty cynical attitude about not only things like the music industry and social media, but also his own music.

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Jason Collett takes to the front of the stage for "High Summer. Sometimes it was just Jason Collett on stage. Sometimes just Bahamas.

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Broken Social Scenester displays a welcome command of songcraft in an indie-folk field that too often is all about vocals and words. Indie-folk may typically foreground words and voices, but that doesn't mean all lyric sheets and vocal cords are created equal. Jason Collett isn't going to blow you away with his imagery, and his voice-- while sturdy and appealing-- doesn't stand out from the alt-troubadour pack.

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